a.k.a writer

a.k.a writer

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Yesterday, I saw the documentary “One Night Stand” about the 24-hour journey of four musicals from the page to the stage. As a writer, I found it galvanizing (and as a theatre major, thrilling). This film also made me think of my friends participating in NaNoWriMo and the unbelievable crunch to get 50,000 words down in 30 days. One of the writers featured in the film described producing a musical in one day as the “ultimate cure for writer’s block.” What could you do if you gave yourself 24 hours and a seemingly impossible goal?

Whether you’re looking for a two-minute break from your writing, or need a “you can do it boost,” here’s a little clip for you.

24 hours, 6 composers, 4 writers

November 7, 2011

Performance: On Stage Fright and Copywriting

April 5, 2010 — 5 Comments

In the spotlightsAfter immersing myself in background materials, scribbling notes and coaxing ideas from my bursting brain, it’s time to put paper to pen. Or open that blank Word document. That’s when I get the surge of adrenaline. After looping a path through my limbs, it settles as a flutter in my stomach.

I refer to this as stage fright.

It could be my background in theatre.  I always felt that surge before performing on stage and, even more so, as the lights rose on a production I directed. While the extra adrenaline couldn’t help me as a director, watching from the audience, it certainly gave me an edge as a performer.

While I don’t get this surge when writing personal essays, I certainly get it when I’m submitting them. I check and re-check email addresses, names, titles and my pitch. However, it’s mostly when I’m writing copy for clients that I experience this “stage fright.” And I’m torn on whether it gives me an edge as a copywriter.

I do know that it’s a sign of wanting to write creative, inspired work that will put smiles on my clients’ faces. And I know that it’s an indicator that I’m in performance mode. Thankfully, it doesn’t last the entire time I’m drafting copy. It’s usually at the beginning of a project for a first-time client or at the start of an especially juicy, challenging assignment.

But I also worry that it could be a sign of nervousness that could spill into the copy. Or, since I don’t need the extra energy to physically perform, I’m putting unnecessary stress on my body.

So I’m torn.

Do you experience anything akin to stage fright when you’re writing? Does it occur when you’re working on particular types of assignments, such as a first piece for a magazine? Or, do you think this type of adrenaline is unnecessary, and possibly a distraction from producing good work?

Photo attribution: http://www.flickr.com/photos/37622685@N02/ / CC BY-SA 2.0

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It’s in Every Storyteller’s Imagination: the Hits. Lights Up, Please!

November 4, 2009

When I was very young, my stage was the clothesline in my backyard. My audience: a rickety swing set and cherry tries. Oh, and bees. I performed the Donny & Marie Show, acting as both siblings. My dream wasn’t to be famous; it was to entertain. As a sassy four-year-old, I did it effortlessly. Stars. Image courtesy of stock.xchng®

Growing up, I loved reading and the theatre with equal passion—even though my exposure to theatre was the yearly local high school musical. And the movie and subsequent TV show Fame. Once a Fame kid, always a Fame kid. Even though I have no desire to perform or even write plays (okay, I’ll never say never about writing a play), I still get chills every time I see a theatre production.

Writing about Jonathan Larson in my previous post, made me think of my fellow theatre majors, including those who pursued life on or near the stage and those who followed other dreams. With them in mind, here are my “greatest theatre-themed blog hits.”

Share your storytelling greatest hit in the comments below. The stage is yours.

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